Come leggere le mappe delle eclissi solari
Impara a leggere le mappe delle eclissi solari, inclusi percorsi centrali, limiti parziali, linee di alba e tramonto, eclissi ibride e percorsi non centrali.
Notizie, tutorial e consigli di fotografia da The Photographer's Ephemeris
Impara a leggere le mappe delle eclissi solari, inclusi percorsi centrali, limiti parziali, linee di alba e tramonto, eclissi ibride e percorsi non centrali.
Will you see it? Will you not? There’s a lot of talk about visibility of TSE2026 in different parts of Mallorca. Officials say to head to the northwest coast.
Lunar eclipse maps are sometimes confusing to read – even more so than solar eclipse maps. Our new map for March 3, 2026 tries to make things clearer!
The last total lunar eclipse until the very end of 2028 – nearly three years away – occurs just a few days from now: March 3, 2026. Don’t miss your chance!
Ci stiamo avvicinando al conto alla rovescia di 12 mesi per l’eclissi solare totale del 2026, che la maggior parte degli osservatori vedrà dall’Islanda o dalla Spagna. È sempre interessante chiedersi: «E se avessimo lo stesso tempo meteorologico il giorno dell’eclissi come quello che vediamo quest’anno?»
When planning a night photography or astrophotography shoot, the weather is a critical factor. It’s not just the obvious factors, such as the absence of rain and clouds; many other elements conspire to create or prevent great conditions.
Lighting is a critical aspect of architectural photography and something you should plan for in advance. Depending on the circumstances of your project, you may be able to pick and choose your time freely (e.g. personal projects, planning future travel), to exercise some choice within a finite time window…
At the end of our last article, we had corrected the converging verticals and the slight horizontal yaw of our photo, and yet things still aren’t quite right…
In this third post about architectural photography, we’ll look at how to fix converging verticals in your shots of buildings. If we can’t avoid unintended converging verticals in-camera, we must fix them in post.
In this second post about architectural photography, we’ll discuss equipment selection (cameras, lenses, tripods, and tripod heads) and some of the implications of the gear you have on hand, particularly in post-processing.
This is the first in a series of brief introductory articles on architectural photography. We’ll cover everything you need to know in order to plan, execute and process your images of buildings to a high standard. In this part, we’ll consider perspective and how it applies to architectural work.
And all of sudden, it’s September, the beginning of climatological autumn here in the northern hemisphere. It’s perhaps the most exciting time of all for outdoor photography - changing colors, unpredictable weather, and all-too-brief moments of perfect conditions to shoot the change foliage.