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Lighting is a critical aspect of architectural photography and something you should plan for in advance. Depending on the circumstances of your project, you may be able to pick and choose your time freely (e.g. personal projects, planning future travel), to exercise some choice within a finite time window…
At the end of our last article, we had corrected the converging verticals and the slight horizontal yaw of our photo, and yet things still aren’t quite right…
In this third post about architectural photography, we’ll look at how to fix converging verticals in your shots of buildings. If we can’t avoid unintended converging verticals in-camera, we must fix them in post.
In this second post about architectural photography, we’ll discuss equipment selection (cameras, lenses, tripods, and tripod heads) and some of the implications of the gear you have on hand, particularly in post-processing.
This is the first in a series of brief introductory articles on architectural photography. We’ll cover everything you need to know in order to plan, execute and process your images of buildings to a high standard. In this part, we’ll consider perspective and how it applies to architectural work.